The Other Side of Everything

making all our lives easier, more fulfilling, lovelier journeys

Do We All Live In A Giant Hologram?

Posted on February 8th by Dean. Comments

DRIVING through the countryside south of Hanover, it would be easy to miss the GEO600 experiment. From the outside, it doesn’t look much: in the corner of a field stands an assortment of boxy temporary buildings, from which two long trenches emerge, at a right angle to each other, covered with corrugated iron. Underneath the metal sheets, however, lies a detector that stretches for 600 metres.

For the past seven years, this German set-up has been looking for gravitational waves – ripples in space-time thrown off by super-dense astronomical objects such as neutron stars and black holes. GEO600 has not detected any gravitational waves so far, but it might inadvertently have made the most important discovery in physics for half a century.

For many months, the GEO600 team-members had been scratching their heads over inexplicable noise that is plaguing their giant detector. Then, out of the blue, a researcher approached them with an explanation. In fact, he had even predicted the noise before he knew they were detecting it. According to Craig Hogan, a physicist at the Fermilab particle physics lab in Batavia, Illinois, GEO600 has stumbled upon the fundamental limit of space-time – the point where space-time stops behaving like the smooth continuum Einstein described and instead dissolves into "grains", just as a newspaper photograph dissolves into dots as you zoom in. "It looks like GEO600 is being buffeted by the microscopic quantum convulsions of space-time," says Hogan.

If this doesn’t blow your socks off, then Hogan, who has just been appointed director of Fermilab’s Center for Particle Astrophysics, has an even bigger shock in store: "If the GEO600 result is what I suspect it is, then we are all living in a giant cosmic hologram."

The idea that we live in a hologram probably sounds absurd, but it is a natural extension of our best understanding of black holes, and something with a pretty firm theoretical footing. It has also been surprisingly helpful for physicists wrestling with theories of how the universe works at its most fundamental level.

The holograms you find on credit cards and banknotes are etched on two-dimensional plastic films. When light bounces off them, it recreates the appearance of a 3D image. In the 1990s physicists Leonard Susskind and Nobel prizewinner Gerard ‘t Hooft suggested that the same principle might apply to the universe as a whole. Our everyday experience might itself be a holographic projection of physical processes that take place on a distant, 2D surface.

The "holographic principle" challenges our sensibilities.

It seems hard to believe that you woke up, brushed your teeth and are reading this article because of something happening on the boundary of the universe. No one knows what it would mean for us if we really do live in a hologram, yet theorists have good reasons to believe that many aspects of the holographic principle are true.

If GEO600 really has discovered holographic noise from quantum convulsions of space-time, then it presents a double-edged sword for gravitational wave researchers. One on hand, the noise will handicap their attempts to detect gravitational waves. On the other, it could represent an even more fundamental discovery.

Such a situation would not be unprecedented in physics. Giant detectors built to look for a hypothetical form of radioactivity in which protons decay never found such a thing. Instead, they discovered that neutrinos can change from one type into another – arguably more important because it could tell us how the universe came to be filled with matter and not antimatter (New Scientist, 12 April 2008, p 26).

It would be ironic if an instrument built to detect something as vast as astrophysical sources of gravitational waves inadvertently detected the minuscule graininess of space-time. "Speaking as a fundamental physicist, I see discovering holographic noise as far more interesting," says Hogan.

Posted via email from Preposterous Guru

Comments

Mindlessly Rooted in the Present

Posted on February 6th by Dean. Comments

There is much to be said for daytime rest.

We ignore apparent archaism at our peril, lest we lose ways previously discovered.

What is the first thing your eyes see upon waking?

Posted via email from Dean Whitbread

Comments

Tiles

Posted on February 5th by Dean. Comments

Muted colours with a matt / satin finish to finish off my kitchen.

Posted via email from Dean Whitbread

Comments

Monster Proof

Posted on February 3rd by Dean. Comments

Keeping fumes at bay, I am resorting to ludicrous cardboard horror film props.

Posted via email from Dean Whitbread

Comments

Seventeen Minutes

Posted on February 2nd by Dean. Comments

I saw the sky reflected in the wet pavement and began taking photos.

Seventeen minutes passed…

Posted via email from Dean Whitbread

Comments

Wellboing

Posted on February 1st by Dean. Comments
I love my language. I love its flexibility and endless capacity for development, and I want to change some English words to make them more descriptive.

For example, wellbeing.

Why not change the second e – after all, there are two – for an o – after all, there are none. Wellbeing can become wellboing.

Boing is an expression of spring-like energy, the spiral of life, the life-force itself rising upwards, what the Chinese call chi, or Sanskrit kundalini.

Not only can you then experience wellboing, but you can, if asked, use the word in reply to a question after your health.

"How are you, my friend?" you may hear.

"Wellboing, cheers old chum!" you might say.

Posted via email from Dean Whitbread

Comments

Old Kitchen Stripped To Her Underwear

Posted on February 1st by Dean. Comments
Like a 72 year old lady, exposed as she’s carried downstairs in her underclothes, on her way to a final hospital, my kitchen gives up its secrets.

Ancient Gas Plumbing

Future Stained Glass

Grey, White, Yellow, Sienna – the colours of mid-period Mondrian

Ceramic meets Wood – the shock of the new

Posted via email from Dean Whitbread

Comments